Restoring the Aritsugu Scrolls
Inside the six-month effort to stabilize a set of Edo-period silk scrolls before their digital archival capture.
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A Workshop in the Atlas Mountains
Our textile team spent eight days with master weavers documenting natural-dye recipes nearly lost to time.
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On the Quiet Thrill of Empty Galleries
What VR can teach physical museums about pacing, silence, and the way the eye rests on a single object.
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The Millimeter Problem in AR Placement
Why anchoring a virtual painting to a real wall is harder than it sounds, and how we finally solved drift.
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Bringing the Mireille Bronze Home
A century after it left the studio, a small bronze figure returns to the public record via our new wing.
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Quiet Light: Photography in the Round
Notes from the opening of our first 360° photography exhibition, designed for unhurried walking.
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Inside a Digital Sculptor's Workspace
Twelve monitors, one stylus, and the slow craft of building objects that have never existed in matter.
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Wood, Water, and the Long Patience
How our wood-arts team measures humidity in micrograms before every photogrammetry session.
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The Jewelry Wing, One Year On
A reflection on what changed for visitors and for us after we opened the smallest of the wings.
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Filming the Unfilmable
A week with the video-art conservation crew, racing tape decay one cassette at a time.
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Why the Archive Stays Free
A short note on the decision and the donors that keeps every wing open to anyone with a screen.
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A Room for Slow Reading
Designing a gallery wing where the only instruction is to stay, look, and read one label at a time.
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